After the Tang Dynasty, for the Song people, it’s really hard to create. All good poems have been done by the Tang people, and they are doing every poem in their own right,how to be a self-contained person, open up a new road, the new language work (Creative language) is a method. Creative language is the collective consciousness of Song people's poetry creation, which represents the poet's attention to content and form and skill. Huang Tingjian studied Han Yu and Du Fu when he wrote poetry,pay attention to "pointing iron into gold", " Change vulgar into elegant" and "make old things new" .Although paying attention to "taking the old sayings of the ancients into poetry ", but on the basis of inheriting the predecessors, in terms of poetry content and language form skills, the ability to break through innovation, express the subjectivity of the poet's creation, start to be new, avoid curing, aging, ripening, and vulgarization.Therefore, this thesis takes Mei Shengyu’s " Creative language "--the collective consciousness of Song people's creation as the core category, exploring the creative performance of Huang Tingjian."Meaning innovation " refers to the content of poetry. It can tell what others have not said and create new ideas."Language Skills" is the use of the words of the ancients, but can be used in reverse, start to be new, avoid curing, aging, ripening, and vulgarization.Can be turned into a magic,and can't see traces. This paper empirically analyzes the relationship between Huang Tingjian's poetry and previous poetry creation.Compare the similarities and differences between the poetry creations of the Tang Dynasty, such as Du Fu or the poets of the same period, such as Su Shi. The topic adopts the topic classification method, the unified analysis method, the knowing the world method , and the appreciation interpretation method,in order to discuss the collected poems. The paper is divided into two parts, the first part is the second to fourth chapters.In addition to the integration of the origins of the use of allusions in poetry, the Song people take the creative consciousness of making new words.Then, with the actual examples of Huang Tingjian's poetry, to demonstrate the creative practice of Huang Tingjian. Although he used the words of the ancients, but he still had the ability to create new ideas and create new words.Because Huang Tingjian used many allusions, the allusions of Wei Jin are the main subject of discussion in the third to fourth chapters.The second part is the fifth to seventh chapters, exploring the performance of Creative language in different poetry types.
In particular, the theme of " Painting poetry", "playing poetry" and "wall poetry " is the subject of discussion, to present the pioneering part of the poet's subject. Huang Tingjian’s poems, although used the words of the ancients, used many allusions, but can created new ideas, used the language skillfully, Can not be scratched, turned into their own use, and can't see traces.Therefore, he had become a representative poet in the poetry of the Song Dynasty, affecting the creation of Jiangxi poetry poets.
Huang Tingjian’s poetry creation method of " Creative language " can specifically show the Song people to learn the Tang people and change the method of the Tang poetry.It can be used as a learning guide for future generations to pursue creative novelty and break through the stereotypes.