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系統識別號 U0026-0812200914161251
論文名稱(中文) 在設計領域的精神層面之研究:精神設計方法之介紹
論文名稱(英文) A RESEARCH IN SPIRITUAL APPROACH TOWARDS DESIGN: INTRODUCING THE SPIRITUAL METHOD FOR DESIGN
校院名稱 成功大學
系所名稱(中) 創意產業設計研究所
系所名稱(英) Institute of Creative Industry Design
學年度 96
學期 2
出版年 97
研究生(中文) 平田大樹
研究生(英文) Daiki Hirata
電子信箱 pa695701@mail.ncku.edu.tw
學號 pa695701
學位類別 碩士
語文別 英文
論文頁數 123頁
口試委員 口試委員-Bryon Fitzpatrick
口試委員-劉天民
指導教授-陳國祥
指導教授-謝孟達
中文關鍵字 工業設計  情感設計  精神方法論  精神設計  心靈設計 
英文關鍵字 Industrial Design  Emotional Design  Spiritual Design  Spirit-Minded Design  Spiritual Method 
學科別分類
中文摘要 身為工業設計師,研究精神對設計層面的影響是為了在情感設計領域帶來新角度以及擴展。現今的情感設計領域主重於物質上的情感和有形的感覺。雖然此有形-情感方法有很不錯的表現和貢獻當新設計潮流開始注重生活、永續性、表現力、以及製造氣氛或環境的一種能力。精神層面的考量可以讓設計擁有不同程度的情感,結合人的需求和環境的親切感為一體,可以滿足人的無形-情感方式。注重於結合有形的形式為了帶來無形的結果,作者提供『超越情感』(“going beyond emotion”)的方法讓使用者受到與產品的無形連結,叫做精神設計(東方)或心靈設計(西方)。
一開始,此研究會利用調查以及介紹產品的精神層面以及這些感覺如何可以提升情感到更高的程度來證明精神產品的存在。此論文會採用質性研究方法、問卷調查、以及以精神方法論做出來的產品當實驗品。實驗結果顯示情感方面的重視是由體驗來欣賞而不單單由感覺來判斷。未來研究包括應用和探討精神方法論在不同設計領域、跨文化、以及應用在於現有產品上,以便研究某些現有產品是否可以轉換成精神產品。
英文摘要 As an Industrial Designer, a research on a spiritual approach towards Designs was analyzed to bring this concept forward for a new perspective and an enhancement into emotional designs.
The current Emotional Designs focus on a physical trait of emotion where tangible feeling is focused on more. Although this tangible-emotional approach has presented well, as designs are starting to focus on lifestyle, sustainability, and expression; a spiritual approach towards designing was thought to bring emotionality to a different level to satisfy the people in an intangible-emotional way by providing human needs and environmental friendliness in one. By putting an emphasis on combining tangible forms to bring in intangible result, I provide a method to let the user feel the intangible connection with a product by “going beyond emotion,” which I call it a Spiritual Design (Eastern) or Spirit-Minded Design (Western).
This research will start by proving spiritual products do exist by using a survey to begin by introducing spirituality inside products and how these feelings can enhance emotions to a different level. This thesis will use qualitative research methods, surveys, and a product formed from the method for experiment and testing purpose. The success of the experiment shows how emotion can be appreciated by experience rather than just feeling alone. Future works may include the use and the exploration of spiritual method for design in different design fields, cross-culturalization, and applying the method to existing products to see if the particular product can be turned into a spiritual product or not.
論文目次 ABSTRACT viii

ABSTRACT (CHINESE ABSTRACT) x

ACKNOWLEDGEMENT xii

LIST OF TABLES xvi

LIST OF FIGURES xvii

CHAPTER

1 INTRODUCTION 1
1.1. MOTIVATION AND BACKGROUND 1
1.1.1. Design Trend 1
1.1.1.1. Cute Design 2
1.1.1.2. Sustainable Design 3
1.1.1.3. Cultural Enhancement 4
1.1.2. Technology in Design 5
1.2. PHENOMENA OF SPIRITUAL DESIGN 6
1.2.1. Preliminary Testing 6
1.2.2. Survey Structure 7
1.2.3. Preliminary Findings 11
1.2.4. Summary 13
1.3. AIM AND OBJECTIVE 14
1.4. DEFINING TERMS 15
1.4.1. Emotion 15
1.4.2. Spiritual 17
1.4.3. Spiritual Design 17
1.5. THESIS ORGANIZATION 18


2 LITERATURE REVIEW 19
2.1. EMOTIONS IN DESIGN 20
2.1.1. Emotional Design and Usability 20
2.1.2. Sustainability and Experience 22
2.2. MENTAL COMMUNICATIONS IN DESIGN 25
2.2.1. Mentalism 25
2.2.2. Psychological Designing and Consciousness 26
2.2.3. Metaphysics 27
2.3. SPIRITUALITY IN DESIGN 27
2.4. SUMMARY 29
2.4.1. Mistaken Spiritual Design 31
2.4.2. Perspective Thinking 32
2.4.2.1. Thoughtless Acts 33
2.4.2.2. Understanding Human Perception 33
2.4.2.3. “The Trick” 34


3 METHOD 39
3.1. INTRODUCTION 39
3.2. AIM OF THE EXPERIMENT 40
3.3. SPIRITUAL METHOD FOR DESIGN 40


4 SURVEY RESEARCH 45
4.1. INTRODUCTION AND THE AIM 45
4.2. RESULTS 46
4.3. DISCUSSIONS 63


5 PRODUCT TESTING 68
5.1. INTRODUCTION AND THE AIM 68
5.1.1. Model Making Process 68
5.1.2. Use of Spiritual Method for the Product 69
5.1.3. Final Questionnaire 71
5.2. MY EXPECTED RESULT 71


6 RESULTS AND DISCUSSIONS 72
6.1. RESULTS 72
6.2. DISCUSSIONS 74
6.2.1. Final Overall Assessment 75
6.2.2. Product Redesign 77


7 CONCLUSION AND FUTURE WORKS 78
7.1. CONCLUSION 78
7.2. SUGGESTIONS FOR FUTURE WORKS 80

REFERENCES 84

APPENDIX A: FEEDBACKS 88
A1: FIRST SURVEY FORM 88
A2: SPIRITUAL DESIGN FORUM 95
A3: EMAIL WITH O’DONNELL 97

APPENDIX B: SECOND SURVEY 98
B1: SECOND SURVEY FORM AND WEB RESULTS 98
B2: SURVEY RESPONSE FOR QUESTION 15 107
B3: SURVEY RESPONSE FOR QUESTION 16 108
B4: SURVEY RESPONSE FOR QUESTION 17 109

APPENDIX C: PRODUCT TESTING 110
C1: PRODUCT CREATION AND EXPERIMENT PICTURES 110
C2: FINAL QUESTIONNAIRE FORM AND WEB RESULTS 115
C3: QUESTIONNAIRE RESPONSE FOR QUESTION 16 120

VITA 123
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